REVIEWS 
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'Niroshini Thambar's score brilliantly echoes the sound of Aaron Copland's Fanfare For The Common Man'
**** Scotsman on Death Of A Salesman (Trafalgar Arts/Raw Material) ​
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'Niroshini Thambar's sound design is excellent'
​****All Edinburgh Theatre on The Brenda Line (Pitlochry Festival Theatre)
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'Niroshini Thambar's score is near cinematic in utilisation – sharp counterpoints and dread weaved throughout with a heavily piano-inspired score to emphasise the depths to which this twisted tale descends'
**** Corr Blimey on Snake in the Grass (Dundee Rep)

'Niroshini Thambar's increasingly sinister piano-based soundtrack only emphasises the production’s cinematic qualities.'
****The Quintessential Review on Snake in the Grass (Dundee Rep)
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'Niroshini Thambar's sound design both enhances the realism and underscores the tension.' ​
​****The Stage on Gagarin Way (Dundee Rep)
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Niroshini Thambar’s exquisite, deceptively simple musical score. 
****Scotsman on The Arrival (Solar Bear Theatre)

'Niroshini Thambar's sound crackles with thunder and fizzes with uneasy dissonance.'
****The Skinny on The Tempest ​(Tron Theatre)
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​'Pulsed along by an exquisite score by Niroshini Thambar....'  
The Herald on The Bridge (Annie George)​
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'Niroshini Thambar's superbly motivating soundtrack..'
The Quintessential Review on Sho and the Demons of the Deep ​(IAP/National Theatre of Scotland)
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'Niroshini Thambar’s profoundly personal and affecting sound design.'
​**** Corr Blimey on Disciples (Stellar Quines)

'Niroshini Thambar's tremendous sound design is decidedly spooky' 
​**** All Edinburgh theatre on Jinnistan (Play Pie Pint)

 'The sound design (by Niroshini Thambar) is also excellent: the jinn’s voice truly seems to emanate from somewhere beyond the here and now.'
Bouquets & Brickbats on Jinnistan (Play Pie Pint)

'Niroshini Thambar and Nik Paget-Tomlinson’s scoring and sound design is a triumph'  
​***** Corr Blimey on Rocket Post ​(Constellation Points)
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'Sound designer and composer Niroshini Thambar’s input is rather more integral. As well as building atmosphere, she helps keep the pace ..'
****The Stage on Ghosts (National Theatre of Scotland)
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​'Powerfully written and performed, with excellent music and sound.'  
​Socialist Review on Ghosts (National Theatre of Scotland)
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