REVIEWS
‘wonderful, heart-thumping sound design’
****Scotsman on Gush (Traverse)
‘(the)often subtle, sometimes purposefully interventionist music and sound is similarly sensitive to the emotional shifts in the drama’
****National Scot on Gush (Traverse)
‘The sound design adds texture and momentum, shifting from pulsing underscoring to moments of stillness’
****Corr Blimey on Gush (Traverse)
****Scotsman on Gush (Traverse)
‘(the)often subtle, sometimes purposefully interventionist music and sound is similarly sensitive to the emotional shifts in the drama’
****National Scot on Gush (Traverse)
‘The sound design adds texture and momentum, shifting from pulsing underscoring to moments of stillness’
****Corr Blimey on Gush (Traverse)
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'(the) score brilliantly echoes the sound of Aaron Copland's Fanfare For The Common Man'
**** Scotsman on Death Of A Salesman (Trafalgar Arts/Raw Material) |
'Niroshini Thambar's sound design is excellent'
****All Edinburgh Theatre on The Brenda Line (Pitlochry Festival Theatre) |
'(the score) is near cinematic in utilisation – sharp counterpoints and dread weaved throughout with a heavily piano-inspired score to emphasise the depths to which this twisted tale descends'
**** Corr Blimey on Snake in the Grass (Dundee Rep)
**** Corr Blimey on Snake in the Grass (Dundee Rep)
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' increasingly sinister piano-based soundtrack only emphasises the production’s cinematic qualities.'
****The Quintessential Review on Snake in the Grass (Dundee Rep) |
'..exquisite, deceptively simple musical score'
****Scotsman on The Arrival (Solar Bear Theatre) |
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'sound crackles with thunder and fizzes with uneasy dissonance.'
****The Skinny on The Tempest (Tron Theatre) |
'Pulsed along by an exquisite score by Niroshini Thambar....'
The Herald on The Bridge (Annie George) |
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'..superbly motivating soundtrack..'
The Quintessential Review on Sho and the Demons of the Deep (IAP/National Theatre of Scotland) |
'profoundly personal and affecting sound design.'
**** Corr Blimey on Disciples (Stellar Quines) |
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' tremendous sound design is decidedly spooky'
**** All Edinburgh theatre on Jinnistan (Play Pie Pint) |
'The sound design is also excellent: the jinn’s voice truly seems to emanate from somewhere beyond the here and now.'
Bouquets & Brickbats on Jinnistan (Play Pie Pint) |
'Niroshini Thambar and Nik Paget-Tomlinson’s scoring and sound design is a triumph'
***** Corr Blimey on Rocket Post (Constellation Points)
***** Corr Blimey on Rocket Post (Constellation Points)